
Dubbing Period and Historical Content: Anachronism, Register, and What Not to Modernize
A perfectly natural, perfectly modern translation of a nineteenth-century speech is a translation of the wrong thing.
Clear, useful guides for teams creating multilingual video, audio, and learning experiences.

A perfectly natural, perfectly modern translation of a nineteenth-century speech is a translation of the wrong thing.

A dub with every um and false start removed sounds polished. A dub of an unscripted interview with every um removed sounds like a different person.

Transcription accuracy is a ceiling on everything downstream. Buying it bundled with translation means you rarely get to evaluate it on its own merits.

A glossary that works fine at four languages becomes unmanageable at twenty unless the structure underneath it changes first.

Welsh is one of the few minority languages in Europe with a growing number of speakers, backed by law that most companies underestimate.

Most creators translate the same idea three separate times because video, podcast, and newsletter are treated as three different projects.

A three-hour livestream is not a localization target. The forty-minute VOD clip cut from it, published the next day, is.

A merger doesn't just combine two companies. It combines two glossaries, two vendor relationships, and two ideas of what the product is called.

A recall notice translated a week late has already failed. Crisis communication needs a different pipeline built before the crisis, not during it.

Most video localization budgets are wrong in the same direction: they price the translation and forget everything else that has a cost attached.